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The building held all the unmistakable odors of a school room. The smell of chalk dust, mouldy bread crusts, mice, dirty slates and musty books rose up to smite the arrivals. Four rows of pine seats, blackened with ink-daubs and deeply scarred by pocket-knives, ran the entire length of the building. A big box stove stood in the centre of the room, its wavering pipe supported by wires from the ceiling.,

"Who d'ye think's aboard?",

"What can be the meaning of it?" said Captain Acton.,

"Your Ma says you kin come," said Mrs. Wilson, "Providin' I don't let you near the cookie jar, and see that Anson brings you back safe."

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Shortly after midnight he softly turned the key in Lucy's door and looked in, and deeming that she lay asleep he passed in, closing the door behind him, that the roll of the ship might not slam the door and awaken the sleeper. The light was dim, but sufficiently clear for[Pg 306] eyes that had come out of the gloom or darkness. A mattress lay upon the deck close against the bedstead, which was emptied of its furniture, and upon this mattress was stretched the figure of Lucy Acton. She was fully dressed as in the day, save that she had removed her jockey-shaped hat. The bolster from the bedstead supported her head. Some of her dark hair had become disengaged and lay loosely about her cheek, giving the purity of marble to her brow in that light, and her sleep was so deep that she lay as though dead. On the deck close beside her grasp was a common table knife.,

"Yep, we heard Hinter say Scroggie was a headstrong fool, an' he wished he'd never had anythin' to do with him; but that he'd have to handle him with gloves till he got Lost Man's Swamp away from him.",

"I came here after you drove me from the Pennsylvania oil fields," said the other, realizing the uselessness of lying.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.